Posterous theme by Cory Watilo

ASSIGNMENT 1, CONTRASTS: Pointed / Blunt – WORKING LOG

Pointed


My plan for pointed was originally to have a close-up shot of a needle being pulled through some material. The actual shot I used actually came about pretty much on the spur of the moment. 


We had just finished shooting the high/low shots and I was talking about the shots that I had left to do and about an idea I’d had for blunt, but that it didn’t really suit my pointed contrast as it was quite violent. So I came up with something a little more sinister which was for Gina to hold a knife to Steves throat. 

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Steve was fairly apprehensive about it (though I can’t imagine why), but we eventually talked him into it. 


I wanted to have the shot almost in silhouette as I wanted to leave details to the imagination. However, I did want some light on Gina’s face to give her a more sinister appearance. I positioned the two of them in front of a wall lamp so that they were back-lit. I then positioned an off camera flash on the floor beside Steve aiming up into Gina. 

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We shot various angles of the knife, but the one I liked best was this which framed Gina’s face between her arm, the knife and Steve’s chest. Her face sort of pokes out in a way that’s a little reminiscent of Jack Nicholson coming through the door in ‘The Shining’. 

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This was actually fairly simple to shoot, and for once I wasn’t complaining about light as I was intentionally going for a very dark and shadowy image, and the final shot is very close to what I had in mind.


Blunt


For this I wanted to take a menacing picture of someone wielding a blunt instrument. I want an imposing figure staring down into the camera. 

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For the shot to work I wanted to use a rather poor quality fisheye lens that I picked up from eBay some time ago. As it is so low quality it distorts the frame and giving shots a surreal look. 


To get the shot I lay on the ground, and had Glenn swing at me with hammer. Of course the close he got to the lens, the more distorted it would look. 

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I took various shots, some with me in frame, others without. 


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In the end I chose my final shot based on the motion blur of the hammer head, and the way that the arm drags the eye to it. 

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As with the pointed shot this was another that came out close to my imagination.